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Table Read My Screenplay
Table Read My Screenplay Competition
Spring 2022
Active Since 2010
See your script brought to life in a rehearsed, professionally directed table read with experienced actors in front of a live audience in Hollywood!
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About

A Table Read Will Give You an Advantage and is Critical to Success.


The Feature/TV Pilot Grand Prize Winner will receive a table read of their winning script with a professional director and working actors. Sharpen your dialogue, fine tune pacing, character and other important elements of your script by watching it performed live! The table read will be followed by a roundtable with industry executives answering questions and giving crucial feedback and reflection.


Genre Winners will be selected in 6 genre categories to receive $1000 cash each, meet with an industry executive mentor and go on to be considered for the Grand Prize.


GENRE CATEGORIES:

ACTION / ADVENTURE

COMEDY

DRAMA

HISTORICAL / BIOPIC

HORROR / SCI-FI

MYSTERY / CRIME / THRILLER



GENRE WINNER MENTORS:

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Sean Dubravac: Partner / Literary Manager with Entertainment Lab

Sean Dubravac is the Co-founder of Entertainment Lab, a bicoastal Talent Management and Production company, with locations in Beverly Hills, CA and Manhattan, NY. The company guides and develops careers of established actors, writers and directors in film, TV, theater, commercial, print and voice over work. The roster includes Academy Award, Emmy Award, BAFTA, GLAAD, AFI, Sundance, SXSW, Kids’ Choice Award and other festival and award contenders, nominees and winners. Additionally, the company’s literary department collaborates with other production houses on the packaging and development of film and TV projects.

Dennis Davidson: Chairman - DDA Public Relations, Exec Producer
DDA (the name was changed to DDA Public Relations Limited in 2003) has become the most successful entertainment industry public relations consultancy operating on a global scale. During his career, Davidson has long dealt with the biggest, most colourful names in the business. Whenever such iconic figures as Madonna, The Who, U2, Nicole Kidman, The Spice Girls and Sylvester Stallone made a splash at the Cannes Film Festival, Dennis and his team were invariably pulling the strings behind the scenes. He went to Buenos Aires with Freddie Mercury and Queen and brought The Rolling Stones and Bruce Willis to Berlin. He has worked with directors from Oliver Stone to Terrence Malick and with producers and moguls from Lew Grade to Chuck Roven.
 
Natalie Novak Remplakowski: President/Producer - Natalie Novak Films
Natalie is a producer based between Toronto and Brooklyn with broad experience in both scripted and nonfiction works for all platforms. Recent credits include the short-form digital comedic series THE COMMUNIST’S DAUGHTER written, created, and directed by Leah Cameron (LoCo Motion Pictures for CBC Gem). Natalie was an associate producer at Scythia Films from 2018 working under principal Daniel Bekerman on various projects including Viggo Mortensen’s directorial debut, FALLING (2020), which premiered at Sundance 2020, was an official selection at the 73rd Edition of the Cannes Film Festival as well as TIFF 2020. PERCY VS GOLIATH (2020), starring Christopher Walken, Christina Ricci, and Zach Braff. Currently in post-production is SLASH/BACK (2021), an Arctic set sci-fi adventure about a group of teen Inuk girls that fight-off an alien invasion written and directed by Nyla Innuksuk.  

Michaela Qvale: Manager TV Development at Miramax
Michaela is currently Manager of Development at Miramax TV, covering over twenty shows in various stages, including sales at Netflix, Paramount+ and Showtime and shows ordered to series with HBOMax and Apple. She first started her career producing the North Fork TV Festival, working with talent including showrunners such as Janine Sherman Barrois and Sarah Treem and actors such as Chris Noth. Since shifting into Development, Michaela has worked at The Gersh Agency, under the head of International TV and Packaging, and at CBS TV Studios in Streaming and Cable Current series on a slate that included DEAD TO ME (Netflix) and UNBELIEVABLE (Netflix) among other shows.  

Matt Dy: Literary Mananger at Lit Entertainment
Matt Dy attended the University of Texas at Austin and received a Bachelor of Science in Radio/TV/Film with a focus on screenwriting and producing. He joined Adam Kolbrenner's Lit Entertainment Group as a literary manager in 2019. Previously, he worked at Austin Film Festival (AFF) since 2008 where he served as the Director of Script Competitions and facilitated the evaluation of thousands of annual script submissions. Through AFF, he helped shepherd the careers of countless writers and is thrilled to continue championing writers as a literary manager.  

Ohad Ashkenazi: CEO at MiLa Media
Ohad (Odi) Ashkenazi is currently CEO at MiLa Media, a TV and Film production company in NY. Ashkenazi was responsible for the successful launch of the Israeli Comedy Central (on behalf of ViacomCBS). He then managed the channel for five years and became a member of Comedy Central's International Development Advisory Team. He continues to serve as SVP of International Development for Ananey Communications (a VicaomCBS company). He has developed dozens of scripts and formats, some of which were sold worldwide. His films and shows can be seen on Netflix, Nickelodeon and more. One of his scripted developments resulted in an International Emmy Award for Best Comedy Series.  

Benefits

FEATURE/TV PILOT GRAND PRIZE
(Selected from Genre Winners)

Live Virtual Table Read of Your Script with a Professional Director and Actors
ISA Development Slate Acceptance
Roundtable with Industry Executives
Pitch Practice and Guidance
Industry Insight Including a Personalized Producer Outreach Plan
Professionally Designed Movie Poster 
12-Year Copyright Provided by Creators Vault
Plus Genre Winners' Prizes

6 GENRE WINNERS
(Features/TV Pilots)

$1000 Cash Each
ISA Development Slate Consideration
ISAConnect Membership
Script Studio
ScreenwriteNOW's "The Episode"
8-Year Copyright Provided by Creators Vault
1 General Meeting with an Industry Pro
Consideration for Grand Prize (1 of the 6 Genre Winners will be selected at the Grand Prize Winner)

SHORT/WEB SERIES GRAND PRIZE

$750 Cash
Recorded Performance of Your Script with Professional Actors, Published on the Curious About Screenwriting Podcast Network
ISA Development Slate Consideration
Script Studio 
12-Year Copyright Provided by Creators Vault

“Winning Table Read…changed the trajectory of my career and amplified my hard work in ways both wonderful and unexpected. I’ve pushed deep into the space where my writing goals have been – I found some amazing representation at Magnet Management and been hired to write two TV movies.”  ~R.B. RIPLEY (Table Read New Orleans)

What is the ISA Development Slate?
- The ISA's premier list of internationally talented screenwriters selected due to their talent, achievements, dedication to the craft, contest wins and industry-related success.
- The ISA supports, applauds and promotes these skilled individuals to producers, managers and agents in Hollywood and beyond, forging relationships and building careers.
- Relationships include: Disney+, Lakeshore Entertainment, CAA, ICM, Harpo Studios, MGM, Funny or Die, ABC Signature, Paramount Players and 80 other top studios, agents, managers and producers actively seeking content.
- 80 projects have been optioned or produced plus nearly 100 writers have been signed with a managers and agents.

Spring 2024 Quarterfinalists on Coverfly

See Other Placements

Announcements

Feb 3rd
Top 25 Shorts or Web Series
Feb 3rd
Top 50 of Each Genres
Feb 24th
Top 10 Shorts or Web Series
Feb 24th
Top 10 of Each Genres
Mar 10th
Genre Winners
Mar 10th
Grand Prize Winners

Rules

For FAQs, please visit. www.TableReadMyScreenplay.com

RULES:
  • This contest is open to anyone except all employees, judges, directors, associates, and immediate families of the TABLE READ MY SCREENPLAY (TRMS) Contest.
  • The writer is under no obligation to participate in the contest and understands that it is not a guarantee or expectation of employment.
  • We do not discriminate on the basis of race, religion, national origin, sex, sexual orientation, gender identity, age, veteran status, or disability. It is our intention that all qualified submissions be given equal opportunity and that selection decisions are based on script-related factors alone.
  • Up to two scripts may be entered on one entry form. Additional scripts can be entered through an additional entry form.
  • Promotional discounts offered may only be utilized at the time of submission, and no partial refund for a promotional code may be issued after an entry has been officially submitted.
  • Once material has been entered, no substitutions of new drafts or corrections will be considered after 24 hours from original submission time and date have passed. After this time the writer may complete a new entry form and pay the appropriate entry fee to submit a revised version of their script.
  • Loglines may be changed once during the competition by e-mailing info@tablereadmyscreenplay.com with a revised logline; the writer must include the Title and Date of the original submission in the body of the e-mail along with the logline.
  • Feedback is a separate service with an additional fee, and unless specifically part of a promotion, is not an expected part of any entry. Feedback is in no way tied to contest placement.
  • The writer understands that feedback, whether paid or received as part of a promotion, can take 90 days or more to be returned, and may not be received before the end of the contest. TRMS will make all attempts to return feedback as soon as possible.
  • TRMS does not provide notes and/or scoring with every entry.
  • Grand Prize Winners from previous TRMS seasons may submit again, provided the contest city is not the same for which they previously won, and they must submit a new screenplay to be eligible.
  • TRMS will provide roundtrip airfare up to $800 for a Domestic flight or $1500 for an International flight, not to exceed $1500. There is no cash reimbursement for flights that cost more than the limit, nor will there be a disbursement of the difference for flights that are less than the limit.
  • Previous Shorts Prize Winners may enter a feature/pilot to any contest. If a writer wins the Grand Prize in two cities they may no longer submit.
  • Those who have placed as a Top 10 or Category Winner three times with three separate screenplays are ineligible to submit in any future contest season.
  • If two or more of a writers scripts place in the same prize category, they will be eligible for only one set of those prizes.
  • International writers are eligible to participate in the contest, as long as their participation is not prevented by law in either country.
  • Adaptations from other works are permissible provided the writer has written permission to adapt the work from the original source.
  • Adaptations of works in the public domain are permissible, however the writer assumes all responsibility assuring copyright status.
  • Collaborative work is eligible; the writers are responsible for the distribution of the contest prize(s). Only one pass and airfare & hotel for a single writer will be awarded to the Grand Prize Winner.
  • Writers under the age of 18 years old must have parent or legal guardian’s permission to participate.
  • The script and any related materials must not be in a current option agreement, and/or may not have been previously sold or produced for profit.
  • The writer understands and accepts without reservation that they are an independent contractor and that the contest administrators and sponsors are not responsible for withholding any taxes or payments on prize money to any government agency, at any level, be it local, state, or federal.
  • The writer understands that it is their sole responsibility to register material with the U.S. Copyright Office and/or with the Writers Guild of America West or the appropriate agency in his/her country.
  • The writer must retain at least one copy of the submitted material and understands that any material we receive cannot and will not be returned under any circumstances.
  • Script Length Guidelines: Feature – (70 – 120 pages), TV Pilots – (10 – 70 pages), Shorts – (1 – 45 pages), Web Series Pilots (1-20 pages)
  • Scripts longer than recommended length will still be considered for the contest and will not be disqualified.
  • If a screenplay is submitted for feedback and is over 120 pages, an additional service fee of $1 per page will apply; the writer will be invoiced separately for the fee. If the writer does not wish to pay an additional fee, the Feedback Reader will be instructed to read the first 120 pages only.
  • All entries must be received by Final Deadline. TRMS reserves the right to extend the contest deadline up to 90 days.
  • TRMS is not responsible for late, lost, unacceptably formatted, corrupt, or incorrect submissions, and may not be able to honor such entries.
  • The writer may submit their screenplay to any other person, contest, producer, agent, publisher, and/or organization.
  • The writer retains all rights to their screenplay, subject to the terms and agreements contained herein.
  • The writer assures that to the best of their knowledge they have the legal right to submit it for judging to TRMS.
  • The writer understands that their logline and/or screenplay will be reviewed by ISA and TRMS employees and/or our panel of Industry Judges for evaluation. The writer also understands that any one of these employees or judges may have been or may be exploring ideas similar to those contained in scripts they read, and hereby waives any claim that TRMS, its employees or judges may have misappropriated any ideas or portions of their submission logline or script.
  • No agreement for compensation, other than the TRMS prizes listed, has been implied.
  • Confirmation of entry will be received once a script is submitted with an entry form and completed with an entry fee through our payment vendor. The writer must provide a valid e-mail address with entry; if an email address should change after submission, it is the writer’s responsibility to let us know.
  • The writer understands that the ISA and TRMS will be free to use their name, likeness and voice for advertising or promotional purposes without additional consideration, should the writer make it past the first round.
  • All winners agree to give permission to the ISA, TRMS and other sponsors for associated contest audio and video recordings of the Table Read and other events to be used on websites and social media platforms.
  • TRMS reserves the right to award a cash prize at its discretion. The Winner is under no obligation to accept the associated prizes but will not be awarded or owed a cash replacement upon electing not to move forward with prizes offered.
  • TRMS may develop a series or documentary style program based on the inner workings of the contest and the production resulting there from. TRMS reserves the right to contact the writer with offers to participate in any such production. The writer is under no obligation to participate therein.
  • All Grand Prize, Top 10 and Semifinalist choices are made at the express decision of TRMS, and once made are considered final. The writer agrees to accept without reservation the decisions rendered by the judges.
  • There are no refunds for submissions at any time for any reason.
  • TRMS has the right to change or add to the prizes at any time, without notice, and/or substitute prizes of equal or lesser value.
  • Additional rules may be amended at the sole discretion of TRMS.
  • By submitting to this contest, your email address will be added to the contest database as well as the International Screenwriters' Association newsletter for weekly updates, contest promotions and other notifications. You may unsubscribe at any time.
  • It is our full intention to fulfill all prizes as posted. However, due to any unlikely “force majeure” event (whether an act of God or otherwise), we reserve the right to update or edit prizes in our sole and absolute discretion, including, without limitation, the right to move any prizes and/or packages to an online format.
  • By selecting ‘I have Read and Understand the Contest Rules’ on the entry page and submitting, the writer agrees to all of these rules.
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Spring 2022